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Courtesy of the artist and Page 4. Auguste Rodin, 'Nijinski'. Page 5. Jan Sluijters, 'Naakte vrouw'. Page 6. Joachim Koester, stills uit 'The Place of Dead Roads'. Page 7.

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In ‘ The Place of Dead Roads ‘ four performers revisit the customary, if not stereotyped, movements of actors of the Western genre with duel-like circling and drawing of guns. Joachim Koester The Place of Dead Roads 23 May–17 August 2014.

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The Place of Dead Roads Joachim Koester. More from Joachim Koester. Welcome To Arthur Arthur is a digital museum. We haven't opened yet, but somehow you found us. The Place of Dead Roads, Centre d’art Contemporain, Geneva Joachim Koester (2014) Artistic work The Place of Dead Roads, Galerie Jan Mot, Brussels Le Centre d’Art Contemporain à Genève présente The Place of Dead Roads, une exposition monographique de Joachim Koester réunissant une installation vidéo inédite, coproduite par le Centre, et un ensemble important d’œuvres photographiques réalisées entre 2003 et 2012.

Using video, 16mm film, installation and photography, Koester’s work explores those troubled interzones between conscious and Joachim Koester The Place of Dead Roads, 2013 16 mm transferred to HD video, color, sound 33 minutes 31 seconds edition of 7 and 2 A.P. (excerpt) In the video installation, The Place of Dead Roads, four down-and-out androgynous cowboys engage in the ritual of posing, circling, drawing guns, shooting and other gestures linked to the Western film Joachim Koester: The Place of Dead Roads, 2013, HD video, 33½ minutes; at Greene Naftali. What if, despite its surface appearance of messy complexity, life was actually governed by precise The Place of Dead Roads, Galerie Jan Mot, Brussels Joachim Koester (2014) Konstnärligt arbete The Crime Was Almost Perfect, Witte de With, Rotterdam The Place of Dead Roads, Centre d’Art Contemporain, Geneva, Switzerland: The Place of Dead Roads, Galerie Jan Mot, Brussels, Belgium: 2013: Howe, Yerba Buena Center for Arts, San Francisco, USA: Joachim Koester: Tarantism, The Ian Potter Museum of Art, Melbourne, Australia: Reptile Brain or Reptile Body, It’s Your Animal, Palais de Tokyo Danish artist Joachim Koester transforms the galleries with an immersive installation comprising 16mm film projection, digital video, photography and audio works. Collectively, they span the last 12 years of his practice, revealing wide-ranging fascinations held together by a persistent enquiry into the boundaries of apparent reality and a quest to uncover hidden aspects of perception.
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Koester, Joachim. 2017. The Place of Dead Roads (2013) by Joachim Koester. Watch ©Adam Jandrup.

"She gets to the place," Hemingway told readers of the magazine, "gets the story, writes it and comes home. Over mined bridges where skidding means death, over icy roads and Roadsidepictures has uploaded 12051 photos to Flickr.
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Genève Centre d'Art Contemporain Joachim Koester: The Place of Dead Roads 23 mei t/m 17 augustus. In Centre d'art Almost Like To Flog a Dead Horse, Podium, Oslo. Selected 2018.

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In one of Koester’s most striking shows to date, an immersive, large-scale installation encompasses the exhibition space. An exploratory starting point is the video work The Place of Dead Roads. Koester, Joachim. 2017. ‘The Place of Dead Roads’. Wall-mounted description at Camden Arts Centre, London, where the video installation was exhibited from 28 January to 26 March 2017.